La Interior decoration is not only the ability to dress or highlight a space making it functional and aesthetically acceptable, but it is a substantial demonstration of its inhabitant and designer, and this feature is very well exploited by the icnographic tendency.
La denominated iconographic tendency is not more than the implementation of morphologies well determined with a characteristic sense, how is the case of number and letters, they are implemented with a significant feeling that transcends aesthetics and positions itself as a brand with the most characteristic characteristics of its inhabitant.
Framed in the theme, we can say that the Creative ability of the designers is evident in the trend that seeks to transform the spaces from its most classical to the most avant-garde always highlighting the characteristics of its inhabitant who is the Defining the thematic meaning of its decoration.
La iconography is present not only in the form of letters or numbers, but also through the implementation of very representative symbols, either of the profession that holds, tastes that stands out or simply how an ideology conception of their way of thinking and seeing the world.
The trend is very broad and its spectrum of action immeasurable, we can find furniture in the form of letters, from armchairs, tables, shelves and even beds, but we can also find not only letters but entire words that make up a single piece of furniture.
La The trend is very wide and its spectrum of action immeasurable, we can find furniture in the shape of letters, from armchairs, tables, shelves and even beds, but we can also find not only letters but entire words that make up a single piece of furniture.
La line command sit, transcends the icnography and implements modern and young furniture with more than avant-garde forms, ideal for decorating a design studio, programming or development.
Moreover Pottery Barn Kids He is also very clear about the difference in the product he can offer and he has a line exclusively for children and their spaces with interactive furniture oriented to iconography.
But if we must talk about icnographic furniture we can not leave the creator out Dutch Roeland Otten, who created a whole line of thematic furniture that completes an entire alphabet.
This trend, although at first it may be somewhat eccentric, is wonderful to implement in receptions and work spaces because it can mark an important aesthetic differential and optimize space with the functionality proposed by these pieces inside.